 
          
          
          Room Z at Rhona Hoffman Gallery, Chicago
 
          
          
          Room Z at Rhona Hoffman Gallery, Chicago
 
          
          
          Room G at Malmö Konsthall,
photo by Helene Toresdotter
 
          
          
          Room F at CURRENT:LA Public Art Triennial
 
          
          
          Room F at Jane Lombard Gallery, New York
 
          
          
          Panel G-13 with existing fragment from the Oriental Institute at the University of Chicago
 
          
          
          Label of G-20 Panel
 
          
          
          Floorplan of the Northwest Palace of Nimrud
Michael Rakowitz (Installation view of new work, on view for the first time, commissioned by the Ruth and Elmer Wellin Museum of Art at Hamilton College.) Room H, from the series The invisible enemy should not exist (Northwest Palace of Nimrud), 2020.
Middle Eastern food packaging and newspapers, with glue on panel.
Courtesy of the artist and Rhona Hoffman Gallery, Chicago.
The project was underwritten by a grant from the Daniel W. Dietrich ’64 Fund for Innovation in the Arts.
 
          
          
          Drawings of Northwest Palace panels by archaeologist A. H. Layard and other artists from Nimrud
Michael Rakowitz (Installation view of new work, on view for the first time, commissioned by the Ruth and Elmer Wellin Museum of Art at Hamilton College.) Room H, from the series The invisible enemy should not exist (Northwest Palace of Nimrud), 2020.
Middle Eastern food packaging and newspapers, with glue on panel.
Courtesy of the artist and Rhona Hoffman Gallery, Chicago.
The project was underwritten by a grant from the Daniel W. Dietrich ’64 Fund for Innovation in the Arts.
Michael Rakowitz (Installation view of new work, on view for the first time, commissioned by the Ruth and Elmer Wellin Museum of Art at Hamilton College.) Room H, from the series The invisible enemy should not exist (Northwest Palace of Nimrud), 2020.
Middle Eastern food packaging and newspapers, with glue on panel.
Courtesy of the artist and Rhona Hoffman Gallery, Chicago.
The project was underwritten by a grant from the Daniel W. Dietrich ’64 Fund for Innovation in the Arts.
 
         
         
         
         
         
         
         
         
         
        Room Z at Rhona Hoffman Gallery, Chicago
Room Z at Rhona Hoffman Gallery, Chicago
Room G at Malmö Konsthall,
photo by Helene Toresdotter
Room F at CURRENT:LA Public Art Triennial
Room F at Jane Lombard Gallery, New York
Panel G-13 with existing fragment from the Oriental Institute at the University of Chicago
Label of G-20 Panel
Floorplan of the Northwest Palace of Nimrud
Michael Rakowitz (Installation view of new work, on view for the first time, commissioned by the Ruth and Elmer Wellin Museum of Art at Hamilton College.) Room H, from the series The invisible enemy should not exist (Northwest Palace of Nimrud), 2020.
Middle Eastern food packaging and newspapers, with glue on panel.
Courtesy of the artist and Rhona Hoffman Gallery, Chicago.
The project was underwritten by a grant from the Daniel W. Dietrich ’64 Fund for Innovation in the Arts.
Drawings of Northwest Palace panels by archaeologist A. H. Layard and other artists from Nimrud
Michael Rakowitz (Installation view of new work, on view for the first time, commissioned by the Ruth and Elmer Wellin Museum of Art at Hamilton College.) Room H, from the series The invisible enemy should not exist (Northwest Palace of Nimrud), 2020.
Middle Eastern food packaging and newspapers, with glue on panel.
Courtesy of the artist and Rhona Hoffman Gallery, Chicago.
The project was underwritten by a grant from the Daniel W. Dietrich ’64 Fund for Innovation in the Arts.
Michael Rakowitz (Installation view of new work, on view for the first time, commissioned by the Ruth and Elmer Wellin Museum of Art at Hamilton College.) Room H, from the series The invisible enemy should not exist (Northwest Palace of Nimrud), 2020.
Middle Eastern food packaging and newspapers, with glue on panel.
Courtesy of the artist and Rhona Hoffman Gallery, Chicago.
The project was underwritten by a grant from the Daniel W. Dietrich ’64 Fund for Innovation in the Arts.